Sorted Alphabetically
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Chace DA88 / DAT Recovery Process• Chace Digital Stereo® (CDS)• Chace Optical Sound Processor (COSP-Xi™)• Clarity™ (wow / flutter reduction)• Commentary Recording• Consultation• Data Management• Element and Film Preparation• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental
• Multi-Function Magnetic Cleaning Machine• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Production Audio Clean-up• Quality Control (QC)• Restoration• Rick Chace Theatre• Sound Design• Sound Editing• Sound Supervision• Synchronization• Thom-Slick™• THOR Mold Abatement Process• Transfer• Upmixing• Value Added Materials (VAM)
New Releases
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Foley Recording• Foley Stage Rental• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• TransferCatalog Re-releases
• Chace Digital Stereo® (CDS)• Chace Optical Sound Processor (COSP-Xi™)• Data Management• Element and Film Preparation• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Quality Control (QC)• Restoration• Synchronization• Transfer• UpmixingDirect to DVD / Blu-ray®
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Commentary Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-Up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer• Value Added Materials (VAM)DVD / Blu-ray® Catalog
• Chace Digital Stereo® (CDS)• Commentary Recording• Data Management• Element and Film Preparation• Encoding• Laybacks• Mixing Theatrical to Near-field• Mix Stage Rental• Music and Effects (M&E) Creation• Quality Control (QC)• Restoration• Sound Editorial for Re-versioning• Synchronization• Transfer• Upmixing• Value Added Materials (VAM)Archival Quality Sound for Governments, Libraries, Archives, Institutions, and Consumers
• Archival Optical Sound Track Recording• Chace DA88 / DAT Recovery Process• Chace Optical Sound Processor (COSP-Xi™)• Consultation• Data Management• Multi-Function Magnetic Cleaning Machine• Quality Control (QC)• Restoration• Special Preparation Procedures• Thom-Slick™• THOR Mold Abatement Process• TransferNew Programming
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer
Optical Sound Track Recording
It is of paramount importance that the final stage of a motion picture sound project – shooting the optical sound track negative – is done to an extraordinary level of competence and detail.
Chace provides museum quality optical sound track negative recording in Dolby® SR (analog stereo variable area), SR-D (Dolby Digital), and DTS formats as well as 35mm mono and 35/32mm (16mm). Our tracks can be processed and printed at every major Hollywood, domestic, and international lab.
The Chace Optical Recording Department has over 30 years of experience producing tracks that meet the highest standards of the industry. For more information, click here: Chace Optical Recording.
The optical formats on the diagram above are: analog (green), Dolby® Digital (blue), DTS (red), and SDDS (yellow).
The Optical Recording Department is located at the Rick Chace Film Center.
An optical sound track recorder.
