Sorted Alphabetically
New Releases
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Foley Recording• Foley Stage Rental• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• TransferCatalog Re-releases
• Chace Digital Stereo® (CDS)• Chace Optical Sound Processor (COSP-Xi™)• Data Management• Element and Film Preparation• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Quality Control (QC)• Restoration• Synchronization• Transfer• UpmixingDirect to DVD / Blu-ray®
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Commentary Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-Up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer• Value Added Materials (VAM)DVD / Blu-ray® Catalog
• Chace Digital Stereo® (CDS)• Commentary Recording• Data Management• Element and Film Preparation• Encoding• Laybacks• Mixing Theatrical to Near-field• Mix Stage Rental• Music and Effects (M&E) Creation• Quality Control (QC)• Restoration• Sound Editorial for Re-versioning• Synchronization• Transfer• Upmixing• Value Added Materials (VAM)Archival Quality Sound for Governments, Libraries, Archives, Institutions, and Consumers
• Archival Optical Sound Track Recording• Chace DA88 / DAT Recovery Process• Chace Optical Sound Processor (COSP-Xi™)• Consultation• Data Management• Multi-Function Magnetic Cleaning Machine• Quality Control (QC)• Restoration• Special Preparation Procedures• Thom-Slick™• THOR Mold Abatement Process• TransferNew Programming
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer
Chace Optical Sound Processor (COSP-Xi™)
In 1985, founder Rick Chace developed and patented the Chace Optical Sound Processor (COSP™), a technology with the ability to playback optical sound track negatives in real time. The COSP has since gained worldwide recognition for its ability to achieve transfer results comparable to those obtained by making expensive track prints for sound transfer.
In 2007, Chace released its latest generation of COSP technology, the COSP-Xi™ (Chace Optical Sound Processor eXtended intelligence). With its high-resolution scanning and sophisticated user interface, the COSP-Xi can correct a variety of problems that even track printing cannot resolve. There is no longer the need to incur the expense of printing a track in order to transfer it, thereby eliminating the headache of juggling lab and transfer facility schedules on projects with tight deadlines.
Positives, negatives, V/A (Variable Area), V/D (Variable Density), 35mm, 16mm, and 17.5mm optical formats are all supported.
Find out why Chace is the facility that governments, motion picture studios, and private archives rely on when it comes to optical sound track negative transfers.
The COSP-Xi film scanner.
The COSP-Xi is operated in Studio F.
The analog soundtrack is scanned and processed in real time.
The COSP-Xi can transfer negative and positive tracks with outstanding results.
COSP technology has gone through many iterations; this is the first digital COSP.
Another iteration of the COSP technology.
