Sorted Alphabetically
New Releases
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Foley Recording• Foley Stage Rental• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• TransferCatalog Re-releases
• Chace Digital Stereo® (CDS)• Chace Optical Sound Processor (COSP-Xi™)• Data Management• Element and Film Preparation• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Optical Sound Track Recording• Print Mastering• Quality Control (QC)• Restoration• Synchronization• Transfer• UpmixingDirect to DVD / Blu-ray®
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Commentary Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-Up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer• Value Added Materials (VAM)DVD / Blu-ray® Catalog
• Chace Digital Stereo® (CDS)• Commentary Recording• Data Management• Element and Film Preparation• Encoding• Laybacks• Mixing Theatrical to Near-field• Mix Stage Rental• Music and Effects (M&E) Creation• Quality Control (QC)• Restoration• Sound Editorial for Re-versioning• Synchronization• Transfer• Upmixing• Value Added Materials (VAM)Archival Quality Sound for Governments, Libraries, Archives, Institutions, and Consumers
• Archival Optical Sound Track Recording• Chace DA88 / DAT Recovery Process• Chace Optical Sound Processor (COSP-Xi™)• Consultation• Data Management• Multi-Function Magnetic Cleaning Machine• Quality Control (QC)• Restoration• Special Preparation Procedures• Thom-Slick™• THOR Mold Abatement Process• TransferNew Programming
• ADR / Commentary Stage Rental• ADR / Voice-over Recording• Data Management• Encoding• Foley Recording• Foley Stage Rental• Laybacks• Mixing• Mix Stage Rental• Music and Effects (M&E) Creation• Production Audio Clean-up• Quality Control (QC)• Sound Design• Sound Editing• Sound Supervision• Synchronization• Transfer
Mixing
Our primary mix stage, the Rick Chace Theatre, is THX® certified with a Harrison Series 12 Film console, JBL monitoring, a full array of outboard dynamics and effects processing, and Pro Tools® HD Accel systems. The theater is housed in an 850 square foot room with an 18’ x 10’ screen - ideally suited for dialog pre-dubs, first-run mixing and print master sessions.
Our secondary mix stage, Studio R, is specifically designed for home entertainment or smaller theatrical mixes. The room features a DigiDesign ICON D-Command, Pro Tools HD Accel, TC Electronics system 6000 reverbs, Apogee and JBL monitoring, and a 10’ x 6’ screen.
Near field mixing also takes place in Studios E, G and H; all feature 7.1 monitoring for Blu-ray Disc® mixes. These studios were designed with a “living room” feel to replicate the home environment. All three have Pro Tools HD Accel systems, HD plasma displays, and Dynaudio and JBL monitoring. Studios G and H feature 96-channel Yamaha DM2000 consoles, while Studio E features a 56-channel Yamaha 02R96.
Click here to view the Rick Chace Theatre floor plan with dimensions.
Studio G is an ideal suite for up-mixing theatrical audio to 7.1 for Blu-ray® Disc.
Many reknowned soundtracks have been mixed or upmixed in Studio R.
The Rick Chace Theatre can accommodate both theatrical and home video mixes.
Studio E has an attached voice-over booth.
The entire original Mission: Impossible TV series was upmixed from mono to 5.1 in Studio R.
Another view of Studio G.
